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Mon August 30, 2010 at 5:00 AM
Click to Watch SD Click to Watch HD HTML5 iPhone/iPad "You know, like nunchuck skills, bow hunting skills, computer hacking skills... Girls only want boyfriends who have great skills." - Napoleon Saucy credits garnish high school foodstuff alongside screamingly mundane high school ephemera serving as cringe-worthy currency all the while inducing smile after smile. Aaron [...]Full details for our Napoleon Dynamite (+ Jared Hess interview) post are available at Art of the Title.
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Thu August 26, 2010 at 1:43 PM
In this video tutorial, Creative COW leader Shane Ross details how to export multiple channels of audio, both to tape and to a Quicktime movie. If you want to export more than just the standard two channels that Final Cut Pro is set up to do by default...
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Mon August 23, 2010 at 5:00 AM
Click to Watch SD Click to Watch HD HTML5 iPhone/iPad "Cyclops there. Cyclops there. Cyclops there... Oh, my holy crap! Surveillance doe's. I hate those." - Brutus 'Classic' science fiction illustrations repurposed as faux forgotten novels, exhibited on sentimental backgrounds, color each credit for the opening title sequence of Jared Hess' very funny "Gentlemen Broncos." [...]Full details for our Gentlemen Broncos (+ Jared Hess interview) post are available at Art of the Title.
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Mon August 9, 2010 at 5:00 AM
Click to Watch SD Click to Watch HD HTML5 iPhone/iPad Jack White steadily builds with an upholsterers touch in prelude to the opening title sequence in Davis Guggenheim's "It Might Get Loud." It is a turning out of battered axes and the men who wield them, their names embossed or tracking in the grain with [...]Full details for our It Might Get Loud (+ Steve Tozzi interview) post are available at Art of the Title.
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Fri May 7, 2010 at 5:00 AM
The opening sequence to Leo McCarey’s “Make Way for Tomorrow” reminds us to bridge generational “canyons” by honoring thy mother and thy father. Happy Mother’s Day!
Full details for our Make Way for Tomorrow post are available at Art of the Title.
Full details for our Make Way for Tomorrow post are available at Art of the Title.
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Mon April 26, 2010 at 5:00 AM
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Baptismal and greasy war-streaked faces of mothers’ sons were rendered by Steve Fuller -then in his eighth year at Imaginary Forces, this his final project- using charcoal on tracing paper then scanned and overlaid back into the provided original footage. Hans Zimmer’s score plays with a dignity that is [...]Full details for our The Pacific (+ Steve Fuller interview) post are available at Art of the Title.
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Wed April 14, 2010 at 5:00 AM
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MTV P.O.V
With powdery solder burns vignetting the schematics, Blac Ionica’s opening for MTV’s “P.O.V.” animates the engineering behind the build to a tight beat with an air of retro espionage that keeps the pace.
PROJECT DETAILS
Chris Strong, Creative Director at Blac Ionica, details the creation of these sequences for us.
Chris Strong: The program [...]Full details for our MTV P.O.V + Russell Howard’s Good News post are available at Art of the Title.
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Mon April 5, 2010 at 5:00 AM
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Featuring the second best use of classic Metallica (the first being Joe Berlinger and Bruce Sinofsky’s “Paradise Lost: The Child Murders at Robin Hood Hills“) the title sequence to “Zombieland” does not back down. Flashes of jarring death slathered with slow speed splatter document a kinetic finality that does [...]Full details on our Zombieland (+ Ben Conrad interview) post are available at Art of the Title.
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Wed March 10, 2010 at 4:00 AM
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Keeping a sense of scale at arm’s length.
Shadowplay Studios’ opening title sequence for director Jason Reitman’s “Up in the Air” intoxicates us with neatly happenstance compositions of a casual topology from a commuter’s perspective with music by Sharon Jones and the Dap Kings that savors common ground. Just below [...]
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Wed March 3, 2010 at 5:55 AM
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A fun step through espionage nostalgia, a ball becomes a blip becomes a bullet becomes a drip connecting the brightly colored character facets in the opening to Adam Reed’s very funny “Archer.”
Art Director Neal Holman details the creation of the title sequence for us.
PROJECT BREAKDOWN
Neal Holman: I animated this [...]
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